I've had good luck with the Canon imagePROGRAF PRO-1000 for printing Magic Hour's AI visuals. It handles the sharp detail and vibrant colors from video frames really well. The tricky part was getting the profiles and paper right, but once I made custom profiles for matte fine art paper, the exhibition prints looked way better. My advice is to just keep playing with settings and substrates until the print feels right. If you have any questions, feel free to reach out to my personal email at support@magichour.ai :)
A key reason we see Epson's SureColor P-Series performing at a museum-quality level in fine art printing is that professional artists have come to rely on it for its ability to produce very accurate colors, extremely dark blacks, and very stable pigments that will last well into the future. When selling limited-edition prints, these are important factors to consider. What really sets this printer apart from others is its reliability. After you've established your color profiles, you know exactly how the output will look every time, and there is no better way to build confidence than in knowing you'll be able to deliver high-quality reproductions to collectors of your artwork. We take our fine art printing very seriously and carefully, and we intend for all artists to view printing as part of their overall creative process rather than just a final step. The most significant hurdle an artist may face at first is managing color. Color on screen doesn't always translate to color on paper. In order to learn how to print consistent color on paper, you'll need to invest some time learning about paper profiles, soft proofing, and the characteristics of the ink you're using. However, when you master this aspect of printing, you'll be completely in charge of the presentation and quality of your reproduction.