What's one common Atmos upmix pitfall you learned to avoid when converting legacy stereo masters to Dolby Atmos for Apple Music? In one concise example, how did you adjust your ADM workflow or bed/object placement to fix it?

When converting legacy stereo masters to Dolby Atmos for platforms like Apple Music, a common mistake is improper sound object placement, leading to an imbalanced sound. Often, engineers treat stereo tracks as standard bed tracks without acknowledging the immersive aspect of Atmos. For instance, placing a centered vocal in the overhead space during upmixing can make it sound distant, detracting from the overall mix coherence.

When converting stereo masters to Dolby Atmos, a common issue is the improper placement of audio elements during upmixing. Relying too much on automatic placement can result in a lack of depth and balance. To enhance the listening experience, it's crucial to thoughtfully position sounds using bed and object tracks rather than merely duplicating stereo elements, ensuring a more engaging and immersive audio environment.