I typically start my work day by checking in with my European clients since their day is 5-7hrs ahead depending on the client. Later in the afternoon it's time for the U.S. West Coast clients. Whether I'm working on a video game score, TV cue, or a song cowrite and production, I'm always working in Logic Pro. I'd say the most important personal qualities are the ability to get along with everyone, be open-minded, and have a thick enough skin that you can digest feedback without taking it personally. Creating music is a very personal thing, but when you're doing it professionally, the end product needs to match the client's specs, and sometimes that means redoing things in a different way from how you first imagined it. I got into music composition, songwriting and production because I've always been obsessed with music, and doing anything else for a living didn't feel quite as rewarding. I've studied music my whole life in one form or another, from lessons as a 2-year-old to a music degree, and then attending the film scoring program at UCLA.
Working in the music industry is both exciting and challenging, with daily routines varying by role. Managers usually start their days with emails and communication with clients and collaborators, organizing schedules and project statuses. Their calendars are filled with meetings to discuss releases and promotions. In contrast, producers often work in studios, focusing on recording sessions and mixing for artists, handling the technical aspects of music creation.